{"id":8737,"date":"2021-07-23T08:02:47","date_gmt":"2021-07-23T08:02:47","guid":{"rendered":"https:\/\/bridge482.qodeinteractive.com\/?page_id=8737"},"modified":"2023-10-02T18:23:18","modified_gmt":"2023-10-02T18:23:18","slug":"hakkimda","status":"publish","type":"page","link":"https:\/\/www.meltemarikan.com\/tr\/hakkimda\/","title":{"rendered":"Hakk\u0131mda"},"content":{"rendered":"\t\t
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Meltem Ar\u0131kan, 1968 y\u0131l\u0131nda Ankara’da do\u011fdu. \u0130lk k\u0131sa hikayeleri ve denemeleri 1992 ile 1995 y\u0131llar\u0131 aras\u0131nda \u00e7e\u015fitli edebiyat dergilerinde yay\u0131mland\u0131.\u00a0<\/p>

\u0130lk roman\u0131, “Ve\u2026 Veya\u2026 Belki” 1999 y\u0131l\u0131nda yay\u0131mland\u0131. Ne yaz\u0131k ki, d\u00f6rd\u00fcnc\u00fc roman\u0131 olan “Yeter Tenimi Ac\u0131tmay\u0131n” 2004 y\u0131l\u0131n\u0131n ba\u015flar\u0131nda T\u00fcrk h\u00fck\u00fcmeti taraf\u0131ndan yasakland\u0131.<\/p>

\u00a0Yasak, uzun s\u00fcren hukuki m\u00fccadele sonucunda kald\u0131r\u0131ld\u0131 ve Ar\u0131kan, T\u00fcrk Yay\u0131nc\u0131lar Derne\u011fi taraf\u0131ndan “D\u00fc\u015f\u00fcnce ve \u0130fade \u00d6zg\u00fcrl\u00fc\u011f\u00fc \u00d6d\u00fcl\u00fc 2004” ile \u00f6d\u00fcllendirildi.<\/p>

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2013 y\u0131l\u0131nda T\u00fcrk yetkililer, 2012’de sahnelenen “Mi Minor” adl\u0131 oyununun, 2013’te Gezi Park\u0131 g\u00f6sterilerine yol a\u00e7an bir \u201ck\u0131\u015fk\u0131rtma\u201d oldu\u011funu iddia ettiler.\u00a0<\/p>

Devlet destekli medya taraf\u0131ndan k\u00f6r\u00fcklenen bu nefret kampanyas\u0131, Ar\u0131kan\u0131 ; on be\u015f y\u0131l boyunca bir\u00e7ok kurum ve kurulu\u015fa “\u0130nsan Kaynaklar\u0131”, “Etkili \u0130leti\u015fim” ve “V\u00fccut Dili” e\u011fitimi verdi\u011fi e\u011fitmenlik kariyerini, Mimarl\u0131k, Proje ve Dan\u0131\u015fmanl\u0131k \u015eirketi’nde s\u00fcrd\u00fcrd\u00fc\u011f\u00fc y\u00f6netim kurulu ba\u015fkanl\u0131\u011f\u0131 ve ortakl\u0131k g\u00f6revini b\u0131rakmaya ve T\u00fcrkiye’yi terk edip o\u011fluyla birlikte s\u00fcrg\u00fcn olarak, her zaman ilgi duydu\u011fu bir \u00fclke olan Galler’e yerle\u015fmeye mecbur k\u0131ld\u0131<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ar\u0131kan, Index on Censorship taraf\u0131ndan ‘Sanatta \u0130fade \u00d6zg\u00fcrl\u00fc\u011f\u00fc’ \u00f6d\u00fcl\u00fcne aday g\u00f6sterildi. Ar\u0131kan’\u0131n \u00e7o\u011fu kitab\u0131 ve tiyatro oyunlar\u0131 T\u00fcrkiye’de bir\u00e7ok \u00f6d\u00fcl ald\u0131 ve geni\u015f kitlelerce tan\u0131nd\u0131. Dokuz’u roman olmak \u00fczere on iki kitap ve be\u015f tiyatro yazd\u0131. Ayr\u0131ca 2017 y\u0131l\u0131nda Theatre Freiburg’un d\u00fczenledi\u011fi \u201cEurotopia\u201d projesi i\u00e7in  bir de opera librettosu yazd\u0131. Otizm, sans\u00fcr, kad\u0131na y\u00f6nelik \u015fiddet, dijital d\u00fcnya ve varolu\u015f\u00e7uluk konular\u0131ndaki makaleleri 2011’den bu yana, News Junkie Post, Index on Censorship, Kazete ve Gazete Davul gibi internet portallar\u0131nda yay\u0131mlanm\u0131\u015f ve yay\u0131nlanmaya devam etmektedir.<\/p>


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Ar\u0131kan\u2019a 52 ya\u015f\u0131nda otizm\/asperger te\u015fhisi konuldu\u011fu g\u00fcnden beri, n\u00f6ro\u00e7e\u015fitlili\u011fi olan insanlar\u0131n kar\u015f\u0131la\u015ft\u0131\u011f\u0131 engelleri ve \u00f6nyarg\u0131lar\u0131 k\u0131rmak i\u00e7in \u00e7al\u0131\u015fmaya ve ya\u015fam deneyimini kamuyla payla\u015fmaya devam ediyor.<\/p>


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Otizm te\u015fhisinin ard\u0131ndan ba\u015fkalar\u0131n\u0131n do\u011fal olarak yapt\u0131\u011f\u0131 \u015feylerin kendisi i\u00e7in kimi zaman \u00e7ok zor oldu\u011funu anlamas\u0131 ve kabul etmesi ya\u015fam\u0131nda b\u00fcy\u00fck bir \u00f6zg\u00fcrle\u015fme ve kabulleni\u015f sa\u011flad\u0131. \u00d6te yandan, Asperger’\u0131n ona di\u011fer insanlardan farkl\u0131 bir alg\u0131lama yetene\u011fi verdi\u011finin de fark\u0131na vard\u0131. Hala eksik olan \u201cOtizm spektrum fark\u0131ndal\u0131\u011f\u0131n\u0131\u201d art\u0131rmak i\u00e7in de te\u015fhis oldu\u011fu g\u00fcnden itibaren Otism spekturumda oldu\u011funu kamu oyu ile payla\u015ft\u0131.<\/p>


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Ar\u0131kan; psikolojik ve fiziksel sa\u011fl\u0131\u011fa giden yolun bireysel ihtiya\u00e7lara g\u00f6re “ki\u015fisel olarak tasarlanmas\u0131” gerekti\u011fi inanc\u0131 nedeniyle, terap\u00f6tik s\u00fcrece yard\u0131mc\u0131 olmak i\u00e7in farkl\u0131 y\u00f6ntemleri incelemekte, ara\u015ft\u0131rmakta ve uygulamaktad\u0131r; bunlar aras\u0131nda “Otizmi Anlama”, “Otizmin \u0130leri D\u00fczey Fark\u0131ndal\u0131\u011f\u0131” ve “Hipno-CBT” de bulunmaktad\u0131r.  Ar\u0131kan ara\u015ft\u0131rmalar\u0131n\u0131 ve e\u011fitimlerini s\u00fcrd\u00fcr\u00fcrken, alanlar\u0131nda farkl\u0131 alanlarda uzman ki\u015filerle de  \u00e7al\u0131\u015fma f\u0131rsat\u0131 bulmu\u015ftur. Bu ki\u015filer aras\u0131nda “Fark\u0131ndal\u0131k” alan\u0131nda Jon Kabat Zinn ve Eecart Toll, ‘Rehberlik ve \u0130yile\u015fme \u0130\u00e7in \u015eamanik Yolculuk’ alan\u0131nda Sandra Ingerman gibi isimler bulunmaktad\u0131r. Yak\u0131n zamanda ise, Ulusal Hipnoterapi Konseyi, Genel Hipnoterapi derne\u011fi,, Kan\u0131ta Dayal\u0131 Hipnoterapi ve Psikoterapi odalar birli\u011finin akredite etti\u011fi  ve \u0130ngiliz Psikolojik Derne\u011fi taraf\u0131ndan onayl\u0131 olan  Birle\u015fik Krall\u0131k Hipnoz ve Hipnoterapi Koleji taraf\u0131ndan verilen “Bili\u015fsel-Davran\u0131\u015f\u00e7\u0131 Hipnoterapi Diplomas\u0131” n\u0131 ald\u0131ktan sonra yine ayn\u0131 kolejde \u201cSigara B\u0131rakt\u0131rma\u201d  e\u011fitimini de tamanlayan Ar\u0131kan Ulusal Hipnoterapi Konseyine kay\u0131tl\u0131 \u201cSigara B\u0131rakt\u0131rma Terapisi\u201d olarak da \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrmektedir. <\/p>


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Ar\u0131kan \u015fu anda Galler’de tam zamanl\u0131 bir \u201cBili\u015fsel Davran\u0131\u015f\u00e7\u0131 Hipnoterapist, Fark\u0131ndal\u0131k ve Sanat Tabanl\u0131 Terapist, Yazar ve Groove Dans\u0131 e\u011fitmeni\u201d olarak \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1999, And\u2026 Or\u2026 Maybe\u2026, (Arkada\u015f Publications (4th edition, 2011)<\/p>

2000, Yes\u2026 But\u2026 As If\u2026 Arkada\u015f Publications (4th edition, 2011)<\/span><\/p>

2002, Undressing Herself, Arkada\u015f Publications (6th edition, 2011)<\/span><\/p>

2003, Stop Hurting My Flesh, Arkada\u015f Publications (7th edition, 2011)<\/span><\/p>

2005, You Exist In No Way, Everest Publications (5 editions, 2005-08)<\/span><\/p>

2006, Hope is a Curse, Eksik Par\u00e7a Publications (5 editions)<\/span><\/p>

2008 The Body Knows, Destek Publications\u00a0<\/p>

2009, The Tempest of Yearning, Yitik \u00dclke Publications (3 editions)<\/span><\/p>

2012,\u00a0<\/span>The Tempest of Yearning,\u00a0<\/span>Shkupi Publishing House\u00a0<\/span>(translated to Albanian by Ahmed Quazimi published in Macedonia)<\/span><\/p>

2015, Erospa, Ak\u0131l\u00e7elen Publications
2018, Tek Bildikleri A\u015fkt\u0131, Eksik Par\u00e7a Publications<\/p>

2020 I Confess, I’m Guilty, Kekeme Publications<\/span><\/p>

2023 You Are the Medicine, Kindle Books<\/p>

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2007, I\u2019m Breaking the Game, 10+ (premiered at the Zurich Theater Spectacle)\u00a0<\/span><\/span><\/p>

2009, Parallel (dramaturgy), 10+ (premiered at Linz 2009: European Capital of Culture program)\u00a0<\/span><\/span><\/p>

2012 \u2013 2013, Mi Minor, \u0130stanbul
2017, Enough is Enough, Wales\u00a0
2019, Y Brain \/ Kargalar, Wales<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2004, \u201cFreedom of Thought and Speech Award \u201d by the Turkish Publishers\u2019 Association for Stop Hurting My Flesh\u00a0<\/span><\/span><\/p>

2007, \u201cNew Unique Play\u201d prize by Lions Theatrical Awards for I\u2019m Breaking the Game\u00a0<\/span><\/span><\/p>

2012, Mi Minor, \u201cBest Play of the Year\u201d prize by Readers of Radikal Newspaper\u00a0<\/span><\/span><\/p>

2013, Mi Minor , \u201cBest Play of the Year\u201d nomination at Lions Theatrical Awards\u00a0<\/span><\/span><\/p>

2014, \u201cFreedom of Expression in Arts Award\u201d shortlisted by Index On Censorship<\/span><\/span>\u200b<\/span><\/span><\/p>

2019-2020, “The First Elan Valley Creative Wales Fellowship”<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sergiler<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2014 October, Birds and Words, Roath Park, Terranova Cafe \/ Wales<\/span><\/span><\/p>\n

<\/span><\/span>2015, Special edition of ARTiculAction  \u201c Manipulated Everyday \u201d ARTiculAction Art Review<\/span><\/span><\/p>\n

<\/span><\/span>2020 April, CARAD (Community Arts Rhayader and District) Rhayader Museum and Gallery Featured Artist.<\/span><\/span><\/p>

2023 May, Wye Art Center  ‘Thanking with Colour’ exhibition
<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Meltem Ar\u0131kan, 1968 y\u0131l\u0131nda Ankara’da do\u011fdu. \u0130lk k\u0131sa hikayeleri ve denemeleri 1992 ile 1995 y\u0131llar\u0131 aras\u0131nda \u00e7e\u015fitli edebiyat dergilerinde yay\u0131mland\u0131.\u00a0 \u0130lk roman\u0131, “Ve\u2026 Veya\u2026 Belki” 1999 y\u0131l\u0131nda yay\u0131mland\u0131. Ne yaz\u0131k ki, d\u00f6rd\u00fcnc\u00fc roman\u0131 olan “Yeter Tenimi Ac\u0131tmay\u0131n” 2004 y\u0131l\u0131n\u0131n ba\u015flar\u0131nda T\u00fcrk h\u00fck\u00fcmeti taraf\u0131ndan yasakland\u0131. \u00a0Yasak,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"content-type":"","footnotes":""},"class_list":["post-8737","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.meltemarikan.com\/tr\/wp-json\/wp\/v2\/pages\/8737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.meltemarikan.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.meltemarikan.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.meltemarikan.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.meltemarikan.com\/tr\/wp-json\/wp\/v2\/comments?post=8737"}],"version-history":[{"count":79,"href":"https:\/\/www.meltemarikan.com\/tr\/wp-json\/wp\/v2\/pages\/8737\/revisions"}],"predecessor-version":[{"id":10777,"href":"https:\/\/www.meltemarikan.com\/tr\/wp-json\/wp\/v2\/pages\/8737\/revisions\/10777"}],"wp:attachment":[{"href":"https:\/\/www.meltemarikan.com\/tr\/wp-json\/wp\/v2\/media?parent=8737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}